I’m just over half way through this draft of Gestalt, and for the past 100 pages or so I have been mulling over my most hated aspect of this process. It’s an aspect that I loathe more than editing, more than nit-picking, more than trimming and re-arranging and testing and re-writing COMBINED. I have to start seriously thinking about . . . the dreaded query letter.
I’ve been preparing. Slowly but surely my long list of a blog-roll has been skimmed and sifted through and linked and linked back and traced and dotted and highlighted, circled and underlined a gazillion times while I prepare in the back of my mind exactly how I am going to sell myself to an agent.
Nathan Bransford is my first choice as a literary agent. He also seemed to have a hard time talking about query letters and the basic synopsis. In fact, in his blog post about the synopsis he tries to hold off as long as possible without delving into detail. The problem with them is that there is no method to them. There is not script. There is not a single line that anyone can tell you about how to write the perfect synopsis. Just like with writing a novel: It has to come from you.
It’s so difficult to write the novel to begin with, but then to chop it all down into less than a page (ok, two paragraphs) worth of “Look at me! I can SELL!” is where things are going to be obnoxiously difficult. I’m not a sales person, so finding a streamline way of summarizing Gestalt that is tailored to my prospective agents without it seeming like “just another query letter” may drive me to drink . . .
Oh, wait, too late.
For now I suppose I will focus on the novel itself, and let the process mill a little more in the back of my mind until the fire is hot enough, the ingredients just right, to start formulating an epic pitch for this novel.
May the Gods guide my path.